Cat Son is a coastal village in the northern part of Quang Tri Province, formed quite early during the exploration and settlement of Central coast residents. Initially, the livelihoods of the local people were mainly associated with fishing and small-scale agricultural production. Thanks to its favorable geographical location near waterways and trade routes, many young men in the village had the opportunity to travel by sailboat to other regions to trade and learn craft techniques, especially woodworking. The essence of woodworking was subsequently absorbed, refined, and passed down through generations, contributing to the formation of a distinctive craft village.
Cat Son woodworking initially developed from simple household items, then gradually enhanced its techniques through the intersection of craftsmanship between Northern and Hue artisans. The most flourishing period of the craft village lasted from the mid-19th century to the early 20th century, when wood carving and mother-of-pearl inlay techniques reached a high level of sophistication, rich in traditional artistic value. In 1921, the French scholar Léopold Cadière recognized and praised the skill of Cat Son craftsmen: “The villagers of Cat Son engage in fishing and trading, and are also renowned for their carving craft. They make and carve altars out of jackfruit wood or other timbers.” This remark highlights the notable position of the craft village within the traditional handicraft landscape of that era.
During its development, the village invited mother-of-pearl and shell inlay craftsmen from the North to teach techniques, thereby expanding production to items such as cabinets, tables, and high-end furniture to serve demands within and outside the region. Although mother-of-pearl inlay is no longer thriving today, many ancient carved products of Cat Son are still preserved in rural villages.


